This method works best when the movement itself isn’t too dramatic. Once you’ve rendered the clip out, import it back into Resolve, and you’ll have super-slow, smooth, 120p footage. Unless you have a monster specked-out computer, it won’t play back in anything close to real time. Once you’re happy with the selected area, render it out before doing any kind of color grade or editing. You’ll need to reselect the part of the clip you want to slow down, since the retiming will tamper with the part that appears in the timeline. Instead of the default Project setting, set the retime process to Optical Flow and the Motion Estimation to Speed Warp. The next step is to stay in the edit page and select the Speed and Timing tab. To get a 120p effect, reduce the speed by fifty percent. Select Change Speed from the contextual menu, and experiment with the settings. Once you drop that part of your clip, you want to slow further. Before you drop it on the timeline, you’ll need to select Interpret Footage and tell Resolve to use it as 24p footage. You need to first import for 60p footage into a 24p project. This is a lot cheaper than renting a specialist camera. Using some fancy new AI, DaVinci Resolve 16 can take your 60p footage and slow it down significantly by guessing what would be in-between the missing frames. It isn’t pretty, and the compression is worse than most cell phones. For example, the Canon C200 does 24fps as 12-bit RAW, 60fps in 10-bit RAW, but it drops all the way down to 8-bit 420 for 120fps.
Most cameras only go as high as 60 fps before they have to crop-in on the sensor or increase the compression. Davinci Resolve is international: (I invite other nations to share their Davinci Resolve formations) And if there are any who have difficulties with the language of William Shakespeare, there are tutorials Davinci Resolve V12 in the language of Molire (When you have not practiced English for a long time. The most quoted specification is 120 frames per second. It seems like every time a new camera comes out, there are a litany of complaints - from amateur cinematographers - concerning the new product’s lack of sufficient slow motion capabilities. In this writeup, we’ll take a look at the slow motion dexterity of DaVinci Resolve 16 - as well as its proficiency and economic potential.
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